Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.

IT企業が経営するメディノックス医療センターでは、医学者の鈴木哲郎（向井理）が開発したAIによる患者の診断が行なわれていた。人間の医師が行なうよりも短時間で正確に、しかも無料で行なうAI診断は世間で評判を呼ぶ。AI診断を導入したIT企業代表の蒲生俊平（渡部篤郎）は、海外に後れを取らないためにも医療のAI化を進めていくべきだと主張。しかし、医師会会長の有薗直子（黒木瞳）は「時期尚早」と難色を示し、さらに優秀な外科医の上野智津夫（原田泰造）もＡＩに診断された患者の手術に当たることを不快に思っていた。 　　そんな中、AI診断に基づいて上野が手術した患者が、術後に容体が急変して亡くなってしまう。上野はAIが余計な診断をしたせいだと言い放ち、鈴木は上野の判断が間違っていたせいだと反論する。一方、記者の太刀川春夫（山本耕史）は、AIで診断した患者が死亡したという情報をつかみ、独自の調査を始めていた。

Harry Parker in apartment 4-D reads a lot of pulp fiction and watches a lot of late-night TV. That lends an air of inauthenticity to the story he tells his wife in the morning about what happened at two A.M. It seems the blonde in 3-D needed him to play Sir Galahad. At two A.M., she has a man in her apartment. And he's dead. "Miss Elliot, I can't get involved in a murder," says Harry. "I'm a married man." But it isn't long before he finds himself helping her take the corpse down to the basement. Was the whole thing a dream?

Tim Heidecker reviews the latest movies in theaters with a special guest.

Re-edited and re-scored footage from public domain films, overdubbed with performances of contemporary actors to tell new, wholly original stories.

Four intimate friends who dream to make a film. Plot The film traces the journey of four friends as they strive to give life to their dream cinema. And how their lives are upturned as the cinema becomes their life.

Cinema Insomnia is a nationally syndicated American television series presented by horror host Mr. Lobo.

Documentary about the crazy cinephile Atsushi Tsuboi, vice president of the Nagoya art theatre "cinemaskhole".

Cinema Insomnia is a nationally syndicated American television series presented by horror host Mr. Lobo.

Cinema Study is a reworking of images and sounds taken from Orson Welles landmark film Citizen Kane. The piece breaks the frame into multiple smaller rectangles, each with short video and audio samples from the original film. Part of the activity of the viewer seems to be the activity of keeping track of the images, which pop around the screen, and how they relate to the sounds. All of the sounds in the piece are in a precise synchronous relationship with the images on the screen. The original narrative film breaks down almost completely, and becomes an almost pure visual and musical experience. Call it Citizen Kane the re-mix.